john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

think about you (b 2): intense, soulful, crying male vocal. watcha gonna do (a side): soul-funk mid-tempo in a lighter mood. windy city (b 1): chicago disco-soul with a 21st century touch.

after our highly acclaimed release with john beltran and convextion, we continue within the detroit techno spirit, although updated to todays sound.
conforce is the moniker of a 22 year old bloke from the island of terschelling in the netherlands. he is currently living in the city of leeuwarden where he works as an audiovisual designer. at the end of 2007 rush hour released his first 12 inch >our concern<, which got big support from people like josh wink, rolando, derrick may and laurent garnier. >junction< followed in 2008, with again raving feedback. to quote resident advisor: >quite simply he s a rising star<. now there are 4 amazing tracks from him on curle, hope you like em as much as we do!

another killer bumpy jackin ep from the excellent blockhead stable

supplement facts records is excited to welcome yakine to the label! the hot french producer has already added the fantastic zenalia to supplemental compilation you never walk alone and after releases on circus company, je taime and esperanza, is in the form of his life. his blend of contemporary house music, with a playful touch has seen him become a regular in the record boxes of the biggest names. he is one of the shining lights of the parisian house scene, and has one of the brightest residencies in the city at weirdo magnet @ rex club. today we bring you his maissade ep

this is quenums first release on clapper!
a side: cargo
this track is techno with a touch of old school, but decidedly modern, not nostalgic. it s built on a groovy techno rhythm that quenum knows to do so well, with a recurring agitative sound that takes you one level higher. the earthy music, rooted by the feet in the ground, grabs the hips.
b side: ouidah
welcome to west africa and the port city of ouidah, home of the quenum clan. this track is classic quenum, clear-headed techno influenced by african rhythm, hypnotic percussions and inimitable touches that add warmth to the sober mix. this one is for the head, but without letting go of the hips.
dachshund and quenum will alternate their work on each release, so look out for the upcoming clapper 003 by dachshund. in the meantime, check out this track and enjoy the show!

the sound of the sixties and seventies has never been so sought after as at the present moment...

nice price deal !!! the latest new comers from barcelona are sw eden born pow erduo of marco gegenheimer and jens rosengren aka gegenheimer & jenius. both of them are active in the spanish house scene and have been creating a havoc w ith their record label collective ourvision w hich released the excellent archimboldo from fellow sw ede axel boman. the tracks they offered to moodmusic have a simple message of floor dominance w ith musical values and they?ve proven to w ork fairly w ell on recent moodmusic nights at panorama bar and sonar. starting w ith basic shape, a tech-housey, almost early techno feel takes over w ith phasing keys and dry drumprogramming w ith a big break w ith lends a few notes from detroit city. cadaquÚs has a more house feel to it, still keeps the groove as main point w ith stabbing keys and a beautiful theme taking you on a trip to almost mr fingers territory. the closing track ips has been a sureshot favourite at the moodmusic hq since w e got it, a classic deep house track of pure quality w hich show s the musical roots of these talented producers. watch out

after their new york city debut earlier this year, the buzz on jessica 6 began to brew. the group which features bassist andrew raposo, keyboardist morgan wiley and singer/songwriter nomi ruiz (of hercules & love affair), who all met while on the 2008 hercules & love affair tour, have been hard at work in the studio cultivating a sound that is equally dark as it is sexy, soulful and ready for the dance floor.

incl remix by surgeon

ludovic llorca returns with another superb art of tones release with fellow countryman jaw (dop) supplying some stunning vocals. on remix duty is the enormously talented motor city drum ensemble, back on 2020 after his lonely one single. his remix is a huge deep, dark and brooding detroit house take on the original and has already been licensed to nrk for a steve bug compilation. this is trademark 2020vision deep electronic soul music!

jens kuhn from schmalkalden in thuringia has been producing electronic music since 1995.
as a part of r.a.n.d. muzik he managed the label out to lunch, which represented minimal, electronic, experimental as well as floor compatible music. besides releases on the r.a.n.d. labels out to lunch, united states of mars and science city he also produced for labels like playhouse and source records under the aliases lowtec and red sparrow.
in 2006 he started his new label workshop together with paul-david rollmann aka even tuell.

played by : reboot, ricardo, dorian paic and many more !!!! la pe±a is back !!! all killer no filler !

hailing from miami, dynas has been a creative force within the south florida music community. originating from new york city and born of caribbean parents, dynas has a variety of influences in his music. he has been credited as a true master of ceremonies able to rock a crowd of few to many. he has hosted and performed with the likes of a tribe called quest, nas, and wu tang clan. noted for his ability to visually depict urban tales with melodious harmonies. his artistry is head and shoulders above the normal top 40 music landscape. he has collaborated with def jam recording artists slick rick and universal recording artists big gipp of the goodie mob as well as masta ace.
>ain t nobody got a style like he s got, kid is ready< (slick rick)

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.

supported by josh wink, chris fortier, troy pierce, alexi delano, xpansul, agaric, mark henning, lee jones, someone else, ...
the brussels based sirius pandi label reaches a rounded 8th vinyl release with two tracks from spaniard labels boss fernando daxta and a remix by greek man of our time mr.statik (memo, rotary cocktail, immigrant, perplex, karloff…).
>drunvalos drums< is a track that has been being tested by fernando with positive audience reactions during live sets in demanding places like toy (stuttgart) electrosonic festival (burgos) or rioma (mexico city). its frequencies between house, techno and minimal make a celebrative ravy drummy atmosphere perfect for those times where warm ups are over… colombian singer natalia davila recently added the consciousness speech during a studio session in mexico city giving the track that special femenine touch.
the flip side of the record is completed by a perfect more retained still criminal drumatic treatment by chief mr. statik and an extra daxtas track, >quien anda ahi<, a more small room title featured in french trax magazine june’s edition cd sampler.

francesco baudazzi, aka obtane, quitquitequick and sammy bellafonte was born 27 years ago in la spezia, a city of north italy. with his new label project zooloft he got positive feedbacks from people like andre crom, staffan linzatti, arnaud le texier. frankie, mossa, matt tolfrey, todd sines and the first zooloft release is supported by magda and troy pierce. future stuff under different monikers on new german label bretzel, equilibria records, synewave and leftroom’s sublabel left of centre.

motorcitysoul are frankfurt veterans and deep house pioneers matthias vogt and christian rindermann (aka c-rock). vivid follows various successful releases (kazan and space katzle) on aus music, and their first debut studio album >technique< on simple. hailing from germanys own >motor city<, the pair have developed a reputation for creating soulful yet truely futuristic deep house that has a signature sound all of its own. >vivid< is trademark motorcitysoul û resonant evolving chord sequences, beautifully arranged organic percussion and >wild pitch< fx and loops combine to devastating effect. fellow frankfurter roman flugel gives the manheim house sound a damn good run for its money with a tight, loopy groove that locks you from the off. all kinds of detail and sound flourishes pop in once, never to be heard again, keeping the listener on their toesà.the package is completed with a percussion heavy dub that threatens to steal the show. roman flugel needs little introduction. one half of alter ego and one of the collective responsible for legendary labels playhouse and klang and not forgetting one of the finest clubs in the worldàrobert jonson

roxour is proud to present fresh music from r-04, a very talented mid 20 boy from downtown tokyo. for r 04 things started about 10 years ago when testing out his first syntheziser. from japanese fascination of composing and living game music soon he was fascinated by the magic of detroit techno. aside from that, he plays on the grand piano with that jazzy - and funkyness of an early stevie wonder. r-04s music is reflecting the city where he comes from. he says many tall inorganic buildings and night scene always inspire me. his first official release gazing at the moon is somewhere between jazz and techno. its a kind of tribute to the so called chu shu no meigetsu convention, the autumn time in japan, when no one can ignore the beauty of the big shiny full moon. also i composed this track meaning that we had better keep emotional leeway to enjoy the full moon no matter how busy we are. patrick alavis ace remix is turning the jazz and detroit techno rooted original into a deep roller.

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

smallville records are set to release their first cd compilation featuring tracks by stl, steinhoff & hammouda with dionne, christopher rau, lowtec and many more to be cut on a limited 12inches series. with the second ep, the label from rainy city hamburg shows their preference for fresh excursions into deephouse and beyond. the dream team of contemporary soundscaping, move d and benjamin brunn, come up with a slightly moving earwig, tracky and reduced to give the dancefloor a colorful kick. smallville co-owner lawrence makes himself a classic with the bassy and chordish tune >dont forget<. he sets a tribute to deephouse music still holding his dreamy detroitish lawrence twist

zuckerwatte is the second single from oliver koletzkis new album >großstadtmärchen<. and zuckerwatte, which translates as candyfloss is a truly magical tale about love and loss in the big city. the original features juli holzs softly whispering voice that is so very fragile, and so very beautiful. this is a softly grooving electro-pop discovery. but of course this song has also been transformed for the dancefloor on this single that also features two more tracks from olivers album. first up is the remix by david august, one half of the duo august & bachert who delivers a top-notch glitchy tech-house edit that makes great dramaturgical use of the original track. next up is björn störigs vision of zuckerwatte. the drummer of olivers live outfit the koletzkis envisions juli holz perform her sweet and sticky singing over some neo-soul tech-rnb influenced electronica that features a spanish guitar, some great claps and some very nice synthesizers. on the flip there is koletzkis instrumental house-homage kusskompatibel and these habits, on which only seventeen-year-old singer pyur makes her debut. she sings wonderfully harmonic over this down-beat trip-hop groove and it results in a great hit for the late summer. this single is more than a single. its the best thing before the album

uplifting detroit power house remake , (original = inner city = kevin saunderson)

four roses recordings deliver another stunning release by sebastian gaiser under the classic flowers moniker. in the past hes been responsible for the mujaba releases and some yet unreleased collaborations with label colleague motor city drum ensemble. whichflower is a fascinating yet strange house groover moving from beep to bleep. using citations from way back, this one is spreading flowers across all sorts of dance floors. aclaime is finally making way for a weird approach towards minimalistic dance music, featuring a group of cimbalom virtuosos recorded on a recent journey through hungaria that makes it sound like a sunday trip to panoramabar. which flower would you be?

dave lambert & housetrap ft. liam south music for peace is this years city parade anthem with huge support from axwell, chuckie, fedde le grand and funkerman, sander van doorn and many more

this album reflects what amsterdam is becoming famous for, its peak time dancefloor experiences! dubbed the city of sin that hosts europes biggest dance festival, is now being touted as the new dance capital of europe. its the hedonists number one weekend party destination.

this album reflects what amsterdam is becoming famous for, its peak time dancefloor experiences! dubbed the city of sin that hosts europes biggest dance festival, is now being touted as the new dance capital of europe. its the hedonists number one weekend party destination.

>who is the person you would most like to work with?< for claude vonstroke, its definitely bootsy collins - the biggest personality in parliament funkadelic and funniest character the funk world has ever seen. we couldn’t be any more excited to have bootsy on dirtybird and this crazy collaboration of styles is the lead single on claude vonstroke’s 2nd album, “bird brain.” if you haven’t heard of bootsy we couldn’t write it better than rolling stone… “bootsy collins’ rubber band was the most entertaining and longest-running spin-off of george clinton’s eternal p-funk circus, and that’s because bootsy is a true star, the clown prince of comic, psychedelic, good-times funk – if he weren’t such a genius of the bass, you’d think he was jimmie walker in a sequined costume, star-shaped mirrored shades included. his career is like a horatio alger story based in chocolate city: plucked from teenage obscurity in 1969 to play with james brown, the former william collins of cincinnati brought a slap-happy zest to jb’s sound, then hooked up with clinton and was reborn in his image, with a little help from lsd.” it is certain that claude vonstroke is not nearly as accomplished as bootsy collins, but he takes the same tongue-in-cheek approach to his music and that’s why this collaboration really works. both claude and bootsy believe you got to get up for the down stroke and there’s no way to fake the funk or your nose will grow, pinocchio!

the eps title track baltic pine bounces an elastic bass with a punch whilst its magical melody evolves out of the groove, taking you skipping away until it breaks into a ebullient cacophony of accordion, piano and brass.

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

dan blacks >symphonies< gets a triple floor-treatment to fulfill all our clubbing needs!

der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.

as the title of their new full length recording suggests, green concorde is moving, and moving fast. the direction is one and one only: out!
be it from the dark star palm trees of miami, from the silvercoated buildings in the city of glass or from the claustrophobic humidity of their now abandoned rehearsal room in copenhagen, this outfit is running for safety. out where the stars look like arrows on fire. as they move, green concorde stays true to their pulsating post-punk brand, though some of the sounds characteristic noise has been distilled and filtered, leaving a more soft and atmospheric expression than the one characterizing their previous album, ten cities. and unlike ten cities, this album is not a result of hours spent in a cold rehearsal room in a humid basement. instead the nine songs were written under intimate and private forms, partly in the bandmembers own appartments in copenhagen, partly in a small cottage in the dark outskirts of denmark. the run has begun. are you ready to follow green concorde down the corridor, to the exit, through the gates, out into safety?

to those of you who know your techno, shawn rudiman should be a well-known name. a prolific producer, he has nevertheless always kept his quality control on a tight leash, and releases on 7th city, technoir audio, integrated, dust science & matrix (amongst others) have brought him a reputation of being one of the finest producers around of contemporary detroit style (aka melodic) techno. a nice taster on the last minimalsoul release (sashimi hi) has hence led on to a full ep, and its classic stuff...tough beats and esoteric but catchy melodies all tied up with an expansive production ethic make for a great listen, and (perhaps unusually with this style of music) for a great dancefloor experience too!

2003 journey into nitelife by kenny hawkes!!

some serious biznizz goin on here, no doubt - elementals brand new 12 inch for reduction brings some major, dirty break-step action to the floor, phat-ass, squelchy, distorted, squashed low-end and rollin beats make for two dark and heavy drops. this is the kind of style that wears its junglist roots on its sleeve, with a real, late night warehouse rave nastiness - and we totally love it. elementals growing reputation for tough dubstep cuts is supported by a succession of releases from him for labels such as audio freaks and urban graffiti, he s had tracks appear alongside scuba on hotflush, released with caspa & rusko (dub police / destructive), been remixed by boxcutter, and featured on fabric live.32 mixed by tayo. bristols reduction label first debuted with a plate from wedge (paradise lost / z-audio) featuring a remix from gatekeeper (soul jazz / tempa). here they bring a prime slice of local talent from a west country city positively teeming with innovative music.

1997 deep jazzy house / downbeat / future jazz album by king britt aka sylk 130.

full support from: laurent garnier, federico molinari, mihai popoviciu, anthony collins, andrew grant, gabriel le mar, james talk, tim green, tom wax, petar dundov, heiko laux, tato, jaumetic, estroe, shonky, dj stapfi, karotte,.

special collectors item - double 12 inch vinyl in gatefold sleeve. live album recorded during the razors edge world tour.

whoa! this is a solid remix ep of tracks taken off tom tragos voyage direct project. man of the moment motor city drum ensemble (mcde) cooks up a solid house remix of passion... very classy! on the flip yurotrago toughen up brothers of string into a hypnotic house builder. lastly, actress transforms lost in... into a classic detroit workout, reminiscent of infiniti or shake

big with sascha dive, tobi neumann, nick curly, robert dietz, karotte, gregor tresher,.. since the beginning of the label the two heads nick curly and marc s. are always searching for some new talent artists to bring their music direct from the streets to the music lovers. with ethyl & huxley they found two more guys from the great city london. deep house is the genre this ep was made for, with byzantine and with you .. you find definitely the old school influences who fills every dancefloor. catch up and ten.1 impress with their deep vibe and flow. hope you enjoy

releasing for the first time on paradigma musik, two young artists from the italian port city oflivorno or (in english) leghorn, have united under the techno alias, alicanuel for the imprint’ssixteenth edition.ilario alicante, one half of alicanuel, was practically born with a passion for music whichultimately resulted in 10 releases – including the successful living near africa, released in2008 on cecille records. his work is respected and played by the legendary likes of svenväth, ricardo villalobos, marco carola, luciano, nick curly, and many more. ilario s currentbase in berlin has had a powerful influence on much of his work.ilario’s musical half is none other than the eccentric, emmanuel beddewela, currently residingin italy. testing all musical boundaries, emmanuel bears a strong stance in the contemporaryunderground techno and house scene. the sounds and melodies echoed in his work stem backto the very music of his ancestry.paradigma bagged a mound of talent on this number including a festive two-sider comprisedof „tagonga,“ a romantic upbeat track with violins and recorders weaved throughout its courseand „as warm as you can,“ moderately mirroring its counterpart using modern instrumentals.both genial tracks reveal ilario’s fervent deep house grooves and emmanuel’s old countryetno-folk melodies.

s up friends n freaks !! the international freakshow theatre is rising its stage curtain for opening a hopefully hot summer season 2009. with our 13th release we bring you two young guns who - so far - are new to the international freakshows roster. nevertheless basti grub from frankfurt / germany and dj w!ld from paris / france will definitely show their skills with 2 massive tracks on if-13! both tunes are properly carrying the spirit of an hedonistic summer party! the a-side comes along with mr.basti grubs marchgang. his trip into the depths of electronic music lead him through all the wellknown clubs in and around frankfurt city in the first place. nowadays he runs his own little label called hoehenregler, releasing quality house & techno music. his track on if-13 feels like a journey into the wonderland of minimal fusiontechno. bastis tune is one of those that are making you smile while you are rocking our socks off hard on the dancefloor! his tune marchgang sounds a bit like being the clash of 1920s music with the 21st centuries minimal house sound! and do you know what?! à the crazy combination fully works - give it a try folks! the flip side delivers dj w!lds balkan2?. dj w!lds musical career started 13 years ago in france with his first dj-attempts behind the decks. today the french mastermind is presenting his sound from one continent to another, as a tireless traveller he is spreading hot underground music to the people with his technical mixes. after having started his own label catwash together with chris carrier a couple of years ago, his reputation as a producer is constantly growing all around the planet! for if-13, dj w!ld brings us balkan2? - an epic and massive rollin sambaesque techhouse bomb, that has the dynamic and power to make you o nuts! this track is pure latin groove in a postmodern shape that will deeply satisfy all of you who are into the style of artists like ricardo villalobos or luciano, to name a few!

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

big with: damian lazarus, danny howells, luciano, deetron, claude vonstroke, dennis ferrer, davide squillace, afrilounge, dan ghenacia, sasha, danny tenaglia, paul woolford, bushwacka, joris voorn, slam, ian pooley, martin eyerer, satoshi tomiie, gorge, rainer tr³by, luna city eypress, will saul, fish go deep, karotte, audiofly, italoboys, luke solomon, osunlade, kabale & liebe, ben watt, brothers vibe, andrew grant, tiefschwarz, josh wink, sis, d julz, hell and many others !!

we are very excited to present the first release on brand new label doppler records and it comes courtesy of jacksonville, an artist who continues to delight & surprise in equal measure & who delivers quality tracks every time. the trix ep is an eclectic 3 tracker which showcases jacksonvilleÆs versatility. it ranges from analogue synth-driven deep tech to smile inducing disco-fueled deep house & cheeky, bass-heavy tech house. doppler records is a new underground label releasing the very best in house music. their aim is to bring our sound to the dance floor without sacrificing groove, melody, warmth or originality. jacksonville co-founded uk labels advance & sensei, producing & remixing tracks for both labels & appearing on many compilations, most notably sashaÆs global underground ibiza mix. after leaving the labels he took a bit of a break, then returned as mecanique, putting out tracks on plastic city, toolroom trax, district of corruption (berlin) & slave recordings. jacksonville is the latest project.

big with luciano, nick curly, ricardo villalobos, 2000 and one, matthias tanzmann... with sebo k & metro cecille signed two great artist from the capital city in germany, berlin. sebo k his already known for his great releases and remixes on mobilee records. now together with his friend and studio partner metro he produced a huge summer bomb. the great original version comes along with the deep and trippy feelin dub edit. reboots awesome twisted fist remix makes the b side and the whole record complete. hope you enjoy.

strong chicago jackin house bomb, incl paul woolford remix, ltd backstock

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release